The best audio interface with MIDI input can connect microphones, instruments, studio monitors, and hardware keyboards through one practical hub. The right model depends on your input count, recording setup, and how much room you need to expand.
We selected 10 interfaces spanning compact two-channel models, flexible desktop units, and rack-style options with multiple analog and digital connections. Use the guide below to narrow the choices by workflow, budget, and future studio plans.
Best 10 Audio Interface with Midi Input Picks for 2026
Long-Term Creative Pick
- 5-pin MIDI input and output
- Two combo inputs with 48V phantom power
- Five-year warranty and included creative software
Best For: Beginners and compact MIDI-based home studios
Simple Recording Favorite
Focusrite Scarlett 2i2 4th Gen
- Two mic preamps and Hi-Z instrument inputs
- 120dB dynamic range with 192kHz support
- Auto Gain, Clip Safe, and bundled software
Best For: Vocalists and guitarists needing two-channel recording
Expanded MIDI I/O Value
- Four inputs and four outputs with MIDI I/O
- Four MIDAS mic preamps with phantom power
- 24-bit/192kHz audio in a metal chassis
Best For: Growing studios with multiple sources and MIDI gear
Flexible Studio Hub
Focusrite Scarlett 4i4 4th Gen
- Four inputs, four outputs, and MIDI I/O
- Two mic preamps, two Hi-Z, and four line inputs
- Air, Auto Gain, Clip Safe, and 192kHz support
Best For: Producers connecting multiple audio and MIDI devices
High-Channel Workhorse
- 18x20 USB audio/MIDI connectivity
- Eight MIDAS mic preamps with phantom power
- ADAT I/O for system expansion
Best For: Multi-mic recording and expandable project studios
Portable Creator Pick
- Compact 2x2 USB-C interface with MIDI
- Up to 24-bit/192 kHz recording
- Includes 610-style Vintage mode
Best For: Mobile recording, podcasting, and solo musicians
Compact Studio Starter
Focusrite Scarlett Solo 4th Gen
- 120dB dynamic range with up to 24-bit/192kHz recording
- Air modes enhance vocal and guitar presence
- No dedicated MIDI I/O listed
Best For: Solo songwriters recording vocals and one instrument
MIDI-Ready Recording Hub
- Dedicated MIDI I/O with two-in/two-out recording
- Two Onyx preamps with 48V phantom power
- Bus-powered with zero-latency direct monitoring
Best For: MIDI-equipped home and mobile recording setups
Value MIDI Workstation
- MIDI I/O plus two instrument inputs
- 24-bit/96kHz recording with two Class-A preamps
- Includes Studio One Artist and other software
Best For: Beginners building a portable MIDI-enabled home studio
Long-Term Creative Pick – Arturia MiniFuse 2
The Arturia MiniFuse 2 is a compact audio interface with MIDI input for recording vocals, guitar, synths, and other instruments. Its plug-and-play workflow, loopback feature, 5-pin MIDI connections, and included software make it a practical choice for a flexible home setup.
Best For: Beginners, mobile producers, and creators who want a compact interface with MIDI connectivity and extensive included software.
Pros:
- Includes 5-pin MIDI input and output for synths, controllers, and drum machines.
- Two combo mic/instrument/line inputs with 48V phantom power, plus balanced outputs.
- Loopback supports recording voiceovers alongside in-app or in-game audio.
- Backed by a five-year warranty and more than 200 reliability tests.
Cons:
- Its two-input design may be limiting for larger recording sessions.
- The included USB hub provides a maximum of 250mA.
The MiniFuse 2 stands out when MIDI, portability, beginner-friendly tools, and warranty coverage matter as much as recording inputs. It is especially well suited to compact studios built around a keyboard or synth.
Simple Recording Favorite – Focusrite Scarlett 2i2 4th Gen
The Focusrite Scarlett 2i2 4th Gen is a straightforward USB-C interface for recording a microphone or instrument. Although the supplied notes do not list MIDI input, its two mic preamps, Hi-Z inputs, Auto Gain, Clip Safe, and generous software bundle make it a strong option for focused audio recording.
Best For: Vocalists, guitarists, and first-time producers who primarily need two-channel audio recording.
Pros:
- Two mic preamps and two Hi-Z instrument inputs support common recording setups.
- 120dB dynamic range and up to 24-bit/192kHz operation target studio-quality sound.
- Auto Gain and Clip Safe help manage recording levels.
- Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion.
Cons:
- The supplied specifications do not identify MIDI input or output.
- Two-channel connectivity offers less expansion than a larger interface.
Choose the Scarlett 2i2 when your priority is clean, uncomplicated microphone and instrument recording rather than MIDI hardware integration. Its level-management features are particularly useful for getting started quickly.
Expanded MIDI I/O Value – Behringer UMC404HD
The Behringer U-PHORIA UMC404HD is an audio interface with MIDI input designed for recording several microphones or instruments at once. Its four inputs, four outputs, dedicated MIDI I/O, four MIDAS preamps, and metal chassis make it a practical choice for a more connected studio.
Best For: Producers who need four simultaneous audio inputs, multiple outputs, and MIDI integration at a value-oriented price point.
Pros:
- Provides four inputs, four outputs, and one MIDI input/output connection.
- Four MIDAS-designed mic preamps include +48V phantom power.
- Supports 24-bit/192kHz audio and popular software including Pro Tools, Ableton Live, and Cubase.
- Impact-resistant metal chassis is designed for durability.
Cons:
- At 2.7 pounds, it is heavier than the more compact options here.
- The supplied operating-system details specifically list Windows XP or higher and do not provide current platform guidance.
The UMC404HD is the better fit when two inputs are not enough and your setup includes MIDI hardware. Its four preamps and 4×4 routing give a growing studio more room to work.
Flexible Studio Hub – Focusrite Scarlett 4i4 4th Gen
The Focusrite Scarlett 4i4 4th Gen is a versatile audio interface with MIDI input for producers working with microphones, guitars, synths, and drum machines. It combines two mic preamps, two Hi-Z inputs, four line inputs, four outputs, and MIDI I/O for a more expandable studio workflow.
Best For: Producers who need to connect several line-level devices, instruments, and MIDI hardware without moving immediately to a larger interface.
Pros:
- Offers four inputs, four outputs, and dedicated MIDI input/output.
- Combines two mic preamps, two Hi-Z inputs, and four line inputs.
- 120dB dynamic range, 24-bit/192kHz support, Auto Gain, Clip Safe, and Air modes.
- Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion.
Cons:
- Its broader connectivity makes it larger and heavier than the Scarlett 2i2.
- It requires a USB-C 5V 3A power supply according to the supplied components.
The Scarlett 4i4 is the most adaptable Focusrite option here for combining audio and MIDI equipment. It is a strong middle ground for producers who have outgrown a two-input interface but do not yet need a larger system.
High-Channel Workhorse – Behringer UMC1820
If you need an audio interface with midi input for a larger recording setup, the Behringer UMC1820 provides extensive connectivity in a rack-friendly format. Its 18×20 USB configuration, eight MIDAS-designed mic preamps, ADAT I/O, and support for up to 24-bit/96 kHz recording suit multi-microphone and instrument sessions.
Best For: Home studios and project studios recording multiple microphones, instruments, and MIDI hardware.
Pros:
- 18 inputs and 20 outputs support large, flexible recording workflows.
- Eight MIDAS-designed mic preamps include +48V phantom power.
- ADAT I/O expands the interface for compatible external gear.
- Works with popular software including Pro Tools, Ableton Live, and Cubase.
Cons:
- Its larger channel count may be more than a basic two-input setup requires.
- Maximum sample rate is 96 kHz, lower than some compact interfaces.
The UMC1820 is the strongest choice here when expansion and simultaneous recording matter more than portability. It offers a broad input/output layout for a growing studio.
Portable Creator Pick – Universal Audio Volt 2
The Universal Audio Volt 2 is a compact audio interface with midi input for musicians, podcasters, and streamers who want a simple two-channel setup. It combines 24-bit/192 kHz recording, a 610-style Vintage mode, and compatibility with Mac, Windows, iPad, and iPhone recording setups.
Best For: Mobile creators and musicians who need two inputs, MIDI, and a compact USB interface.
Pros:
- Compact 2×2 USB-C design is suited to desktop and mobile recording.
- Supports recording quality up to 24-bit/192 kHz.
- Vintage mode is designed to provide a classic 610 preamp character.
- Supports MacOS, Windows, iPad, and iPhone workflows.
Cons:
- Two input channels are limiting for larger ensemble recordings.
- Mobile Apple setups may require an external power supply and adapter.
Choose the Volt 2 when portability and straightforward operation are priorities. Its feature set is focused on personal recording rather than high-channel studio expansion.
Flexible Budget Studio – Behringer UMC204HD
For buyers seeking an audio interface with midi input without moving to a large rack unit, the Behringer UMC204HD offers two combination XLR/TRS inputs, four outputs, and built-in MIDI I/O. It also provides MIDAS-designed mic preamps, insert connections, and up to 24-bit/192 kHz conversion for computer-based recording.
Best For: Home recordists who need MIDI hardware support, two microphone or instrument inputs, and flexible monitoring connections.
Pros:
- Built-in MIDI I/O connects keyboards and external MIDI hardware.
- Two combination inputs accept microphones, instruments, or line-level sources.
- Offers up to 24-bit/192 kHz resolution.
- Includes four outputs, RCA playback, and two analog inserts for external effects.
Cons:
- Two inputs are less suitable for recording larger groups at once.
- USB 2.0 connectivity is less current than the USB-C design used by some newer interfaces.
The UMC204HD balances useful studio routing with a compact two-input format. It is a practical pick for a MIDI-equipped home setup that may use outboard effects.
Compact Studio Starter – Focusrite Scarlett Solo 4th Gen
The Focusrite Scarlett Solo 4th Gen is a compact choice for musicians who need an audio interface with MIDI input alternatives? Note that this model does not include MIDI I/O; it instead focuses on one XLR microphone preamp and one Hi-Z instrument input for recording vocals, guitar, or bass.
Best For: Solo songwriters and home-recording setups centered on vocals and one instrument.
Pros:
- 120dB dynamic range and up to 24-bit/192kHz recording.
- Air modes add presence and harmonic drive to vocals and guitars.
- Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion.
- Compatible with Mac, Windows, and iPad.
Cons:
- No MIDI input or output is listed.
- Only one XLR microphone preamp and one instrument input are provided.
The Solo 4th Gen is a strong recording-focused interface, but shoppers specifically seeking an audio interface with MIDI input should consider a model with dedicated MIDI I/O instead.
MIDI-Ready Recording Hub – Mackie Onyx Producer 2X2
Mackie Audio Interface, Onyx Producer 2X2 USB Audio Interface with MIDI (Onyx Producer 2-2)
Check Price On AmazonThe Mackie Onyx Producer 2X2 is a practical audio interface with MIDI input for musicians who need to connect keyboards or other MIDI hardware alongside microphones and instruments. Its two combo inputs, MIDI I/O, and bus-powered design suit home and mobile recording.
Best For: Musicians who need MIDI connectivity, two recording inputs, and flexible instrument support.
Pros:
- Includes MIDI I/O and two-in/two-out 24-bit/192kHz recording.
- Two Onyx mic preamps include 48V phantom power.
- XLR/TRS combo inputs accept mic, line, and Hi-Z sources.
- Zero-latency direct monitoring and USB bus power support mobile use.
Cons:
- The supplied warranty is one year.
- USB 2.0 connectivity is used rather than USB-C.
With dedicated MIDI I/O, versatile combo inputs, and direct monitoring, the Onyx Producer 2X2 is the most purpose-built option here for a MIDI-equipped recording setup.
Value MIDI Workstation – PreSonus AudioBox 96
The PreSonus AudioBox 96 25th Anniversary is a value-focused audio interface with MIDI input for connecting MIDI hardware while recording microphones, instruments, and line-level sources. Its two channels, bus-powered design, and bundled software make it a practical starter setup.
Best For: Beginners and portable users who want MIDI I/O, two inputs, and recording software in one package.
Pros:
- Includes MIDI I/O and two high-headroom instrument inputs.
- Two Class-A mic preamps and global +48V phantom power support condenser microphones.
- Records and plays back at up to 24-bit/96kHz.
- Includes Studio One Artist, Ableton Live Lite, and Studio Magic Plug-In suite.
Cons:
- Maximum sample rate is lower than the Mackie and Focusrite options.
- Uses USB 2.0 and includes a one-year manufacturer warranty.
The AudioBox 96 combines dedicated MIDI connectivity with useful recording essentials and a substantial software bundle, making it an accessible choice for starting a broader home studio.
How We Picked the Best Audio Interface with Midi Input
We compared these audio interfaces with MIDI input by looking at their I/O, preamp configuration, MIDI connectivity, recording resolution, monitoring features, computer connection, and likely use case. We also considered whether each model suits a beginner, a mobile setup, a growing project studio, or a more demanding multi-microphone rig.
Because product priorities vary, the list includes both compact interfaces for solo recording and higher-channel-count options for bands, hardware synthesizers, drum machines, and external processing. MIDI input is especially useful when you want to record note data, control virtual instruments, or synchronize hardware without adding a separate MIDI interface.
Quick Comparison
| Best For | Recommended Type | What to Prioritize |
|---|---|---|
| Solo vocals, guitar, or podcasting | Compact 2×2 interface | Quiet preamps, easy monitoring, simple controls |
| Keyboard and hardware-based production | Interface with dedicated MIDI I/O | Reliable MIDI timing and convenient rear-panel connections |
| Small bands or multi-mic recording | Four-input model | More mic preamps, headphone flexibility, independent outputs |
| Expanded studio setups | Rack or high-I/O interface | Line inputs, ADAT expansion, routing, and driver stability |
Key Buying Factors for an Audio Interface with Midi Input
Input and Output Count
Count the sources you expect to record at the same time, not just the equipment you own today. Two inputs cover most vocal-and-instrument sessions, while four or more inputs are better for stereo keyboards, drum machines, multiple microphones, or band rehearsals. Extra line outputs can also simplify monitor switching and external effects routing.
Preamp Quality and Phantom Power
Microphone preamps should provide enough clean gain for your microphones without excessive noise. Phantom power is essential for condenser microphones, while instrument inputs should offer suitable impedance for passive guitars and basses. If you record varied sources, look for clearly labeled mic, line, and instrument connections.
MIDI and Computer Connectivity
Check that the interface has both MIDI input and MIDI output if you need two-way communication with keyboards or hardware instruments. USB-C can offer a modern connection, but compatibility and driver support matter more than the connector shape alone. Confirm that the interface works with your operating system and preferred recording software.
Monitoring and Expansion
Direct monitoring helps reduce latency when recording. Separate headphone control, balanced monitor outputs, and useful metering can make sessions easier to manage. If you expect to grow, ADAT or additional line connectivity may be more valuable than a compact design.
Who Should Buy Which Audio Interface with Midi Input?
Choose a compact two-input interface if you mainly record one or two sources, need a portable setup, or are building your first home studio. A four-input model is a better fit for producers using several hardware devices or musicians recording small ensembles. Choose a higher-channel-count interface when you need multiple microphones, permanent studio wiring, or digital expansion.
For straightforward recording, prioritize simplicity and low-latency monitoring. For electronic production, prioritize dedicated MIDI connections, dependable synchronization, and enough line inputs. If your studio is likely to expand, spending more on I/O and routing now can be more economical than replacing a basic interface later.